Plácido Boccanegra

Selections from the dress rehearsal, Berlin, October 21, 2009.

Simon Boccanegra - Plácido Domingo
Maria Boccanegra (Amelia) - Anja Harteros
Jacopo Fiesco - Kwangchul Youn
Gabriele Adorno - Fabio Sartori ["Fabelhafte Schneider"]
Conductor - Daniel Barenboim

When Ladies Meet

And now, the solution to the "Sleepwalking Scene" quiz.

No Sleep 'Til Sunnyside

Not a whole lot of news on matters operatic in the past couple of days, so La Cieca has decided a competitive quiz is in order. The clip below is the "Sleepwalking Scene" from Verdi's Macbeth divided among 14 sopranos and mezzo-sopranos. All you have to do is name the 14 singers in the correct order. (La Cieca has decided to be merciful this time and omit overly obscure singers. Each singer in this clip is or was internationally famous. However, La Cieca cautions you that not all these singers included Lady Macbeth in their onstage repertoire.)

When you believe you know all 14 voices, send your answer to lacieca@parterre.com. First correct answer will receive a gift certificate from amazon.com. Should there be no entry with all 14 correct answers by midnight on Tuesday, January 29, La Cieca will choose randomly among the entries with the highest number of correct answers.

In the meantime, please feel free to discuss and make wild guesses in the comments section.

UPDATE: As of Monday evening, La Cieca has not declared a winner. There is a tie for first place with two entries each naming 13 out of 14 correctly. Interestingly, they both mistake the same Lady. For those of you who might want to do a little more intensive study of the Ladies (and La Cieca doesn't mean only the lesbians in the audience!), here's the mp3 to download.

Villazón sings again!

La Cieca's dear friend Ed Rosen (doyen of Premiere Opera) sent along a clip from Rolando Villazón's first recital since his return to the stage early this month. According to Ed, "He first sings Massenet's "Ouvre tes yeux," followed by Tosti's "Ideale." Rolando's voice sounds as beautiful as ever! The recital took place in Barcelona on January 13 of this year."

While we're on the subject, do be sure to check out Ed's always fascinating podcast.

This is my belief, in brief

That grand old man of music André Previn is writing another opera, following up on the clamorous success of 1998's A Streetcar Named Desire. The commission for Houston Grand Opera is Brief Encounter, based on Noel Coward's one-act play Still Life as well as the screenplay for the eponymous film. (First Tennessee Williams, then Noel Coward ... surely a collaboration with Jean Genet is the next logical step!) Well, anyway, the premiere of Brief Encounter, most likely omitting the above imagery, is set for May of 2009. Too long a wait, you say? Well, in the meantime, sit back and enjoy an excerpt from Previn's one universally recognized masterpiece.

Front burner

A legendary Lulu crosses over.

Close harmony

La Cieca thanks you all for your patience. And now, at the proper playback speed, the "Cherry Duet" as sung by Stephen Costello and Ailyn Pérez at their London recital Tuesday night. Iain Burnside is the pianist.

A teeny-weeny admonishment to dear Signor Bellini

Noel Coward offers a few observations on the standard operatic repertoire, assisted by Margaret Leighton.

La parola scenica

At yesterday's matinee Hansel and Gretel at the Met (broadcast and simulcast), a disgruntled audience member expresses his distaste for the "forest" setting, just as Lisette Oropesa makes her entrance as the Dew Fairy. Top marks to Ms. Oropesa not only for singing her solo so enchantingly, but for continuing without a flinch despite the clearly audible shout of "Boo! Change the set!" (At least the fellow didn't yell, "Bravo! Bravo Robert O'Hearn!")

Christmas is here, bringing good Cher

While we're waiting for the restoration of Stephen Costello's ringing rendition of "O Holy Night," La Cieca thought you might like to hear another great American tenor's take on the classic carol.

Lady in the dark

Not the clearest sound, but, oh my dear, could those girls ever sing back then!

Sorge il tremendo fantasma

Another challenge from La Cieca: who is this Miss Lucy? The cher public will make their educated guesses in the comments section, please.

And all he said was "woof"

In a controversial performance (condemned by Stephen Colbert, praised by Andrew Sullivan), bass-bearitone Kurt Rydl grrrrowls the role of Hagen.

Legendary diva Rosa Ponselle was so impressed by this Götterdämmerung that she dedicated an encore song to Herr Rydl.


The (ahem) versatile basso replied with a video tribute to Nancy Sinatra:

Filth in a supporting role

La Cieca hopes you aren't under the misapprehension that only stars (or would-be stars) are capable of filth-level performances. A true "sporcizianista" can fuck up even such apparently foolproof music as the few lines of Ines in the first act of Trovatore:

Lassée Come Home

Or, "Fleming Subjugates La Scala." Note the "polite" applause at the end of the performance.

Princess

Maury D'annato asks "How high does the Simionato role [in Adriana Lecouvreur] lie? Could Podles do it?

Well, judge for yourself. Here's a clip of mezzo Oralia Dominguez singing the Principessa's aria "Acerba volutta."

No answer?

Curiously, the response to La Cieca's challenge to identify the ten "wrong numbers" she reached whilst trying to phone Milton Host has evoked something less than the usual excitement associated with an Unnatural Acts of Opera quiz. As such, your doyenne will make it easy for you by making available an excerpt from the Vestale podcast with just the "riotously funny" bits. So, it's up to you, chers commentateurs: who are all these people?

La Cieca plays phone tag

Bella è quell'ira, o vergine!

Wow! Who is this Odabella?

As several of you quick-witted commenters have divined, the mystery Odabella is none other than Eva Marton, who performed in Verdi's Attila in 1972. As you watch this YouTube clip of the entire aria, thrill to la Marton's precocious mastery of diva body language!

Microgroovy

That utterly addictive web presence Vinyl Divas has just updated their fascinating, wide-ranging collection of operatic LP covers with high-quality scans of albums featuring every opera lady you've ever heard of (and more than a few you haven't.)

The latest set runs the gamut from Alla Ablaberdyeva (performing Bach, Purcell and Handel with the assistance of the intensely bearded Alexander Fiseisky and his massive organ) to Virginia Zeani (rocking a hot-pink cocktail dress and Jackie Kennedy flip for a Verdi/Puccini recital.)

UPDATE: Although the Vinyl Divas site does not include any sound clips to complement the dizzying collection of album covers, La Cieca thought you might enjoy a sampling of late '60s crossover at its best. Ferocious Felicia Weathers is heard in a psychedelic single:

Up, Up and Away!

Rose Bampton, 1908-2007

The American dramatic soprano is heard in the final scene of Daphne (R. Strauss) in a performance from Buenos Aires, 1948. Set Svanholm is Apollo; Erich Kleiber conducts.

Rose Bampton sings Daphne